What is Gota Patti work?

Gota Patti is a traditional Rajasthani embroidery technique where gold or silver metallic ribbons are hand-folded and stitched onto fabric to create raised, luminous motifs such as lotuses, peacocks, and vines. It is the most iconic embellishment on Rajputi Poshak and bridal wear from Jaipur.

What is the difference between Bandhani and Leheriya?

Bandhani (tie-dye) creates patterns of small dots by tying thousands of tiny knots before dyeing. Leheriya creates diagonal wave-patterned stripes by rolling and tying the fabric before dyeing. Both originate in Rajasthan but produce distinctly different visual effects.

What is a Rajputi Poshak?

A Rajputi Poshak is a traditional three-piece ensemble worn by Rajput women, consisting of a Kanchli (blouse), Ghagra (flared skirt), and Odhni (head drape). It is one of India's most magnificent garments, rooted in the royal courts of Rajasthan.

What does Zardozi mean?

Zardozi (from Persian: zar meaning gold, dozi meaning embroidery) is a heavy metallic embroidery technique using thick gold and silver threads, wires, and sometimes semi-precious stones to create sculpted, three-dimensional designs with a Mughal-influenced aesthetic.

What is the difference between Banarasi and Kanjivaram sarees?

Banarasi sarees are woven in Varanasi (Uttar Pradesh) with Mughal-inspired motifs and gold zari brocade. Kanjivaram sarees are woven in Kanchipuram (Tamil Nadu) with temple-border designs and contrasting colour pallu. Both use pure silk and gold zari but have distinct regional weaving traditions.

What is Chikankari embroidery?

Chikankari is a delicate white-on-white hand embroidery technique from Lucknow, Uttar Pradesh. It uses over 30 distinct stitches on fine cotton, muslin, or georgette to create intricate floral patterns. Chikankari is one of India's most celebrated textile arts and has been practised for centuries.

Patola is an exceptionally rare double-ikat silk saree from Patan, Gujarat, where both warp and weft threads are resist-dyed before weaving. The perfectly aligned geometric patterns require extraordinary skill, and a single Patola saree can take six months to a year to complete.

What is a GI Tag in Indian textiles?

A GI (Geographical Indication) Tag is a government certification that identifies a product as originating from a specific region, guaranteeing its authenticity. Indian textiles with GI Tags include Banarasi Silk, Kanjivaram Silk, Chanderi, Pochampally Ikat, Mysore Silk, and Muga Silk.

What is the difference between Ikat and Bandhani?

Ikat is a resist-dyeing technique applied to threads before weaving — the threads are tied and dyed first, then woven into fabric. Bandhani is a resist-dyeing technique applied to woven fabric — the fabric is tied into knots and then dyed. Ikat produces slightly blurred woven patterns, while Bandhani creates dotted tie-dye patterns.

What are the Solah Shringar?

Solah Shringar refers to the 16 traditional bridal adornments for an Indian bride, including bindi, sindoor, kajal, mehndi, maang tikka, nath (nose ring), earrings, necklace, bangles, armlets, rings, kamarband (waist chain), anklets, toe rings, and the saree or garment itself. Together they represent the complete beautification from head to toe.

Indian Textile Glossary

Over 250 terms explained — from Gota Patti to Zardozi, Bandhani to Patola, Chikankari to Kalamkari. Your complete guide to Indian fabrics, embroidery techniques, regional sarees, garment types, jewellery, and traditional fashion vocabulary.

A

Aad: A traditional Rajasthani choker necklace, typically made of gold with Kundan or Polki stones. The Aad is a signature piece of Rajputi bridal jewellery worn with the Poshak.Rajputi Poshak Collection →See also: , , ,
Aari Work: A chain-stitch embroidery technique using a hooked needle (aari) to create intricate loops and patterns on fabric. Originating in Kashmir and the Kutch region of Gujarat, Aari work is used to embellish sarees, lehengas, and dupattas with floral, paisley, and geometric designs.Handwoven & Artisan Sarees →See also: ,
Achkan: A knee-length, fitted coat with a Nehru (mandarin) collar, buttoned down the front. The Achkan is traditional Indian menswear worn over a kurta for weddings and formal occasions, often embellished with embroidery or brocade work.Wedding Guest Outfits →See also: ,
Ajrakh: An ancient resist-printing technique from the Kutch region of Gujarat, using hand-carved wooden blocks and natural dyes to create intricate geometric patterns. Ajrakh fabrics are printed on both sides and undergo multiple rounds of dyeing and washing, resulting in rich indigo and red-toned textiles.Rajasthani Handicrafts →See also: , , ,
Anarkali: A long, flowing floor-length kurta or gown with a fitted bodice and flared skirt, named after the legendary Mughal-era courtesan. Anarkalis are popular for festive and formal occasions.Kalidar & Anarkali Collection →
Anchal: Another name for the pallu — the decorative end piece of a saree that drapes over the shoulder or head. The anchal is typically the most ornately woven or embroidered section of the saree and is displayed prominently when worn.Ultimate Saree Guide →See also: ,
Angrakha: A traditional wrap-style tunic that overlaps at the front and is tied at the side with dori (drawstrings). Derived from the Sanskrit word for body protection, the Angrakha was a staple of Mughal-era fashion and has been revived in modern Indo-Western designs for both men and women.Latest Saree Trends →
Antique Gold: A muted, aged gold colour commonly used in traditional Indian embroidery, zari work, and jewellery. Antique gold has a warm, oxidised quality that distinguishes it from bright polished gold, and is especially popular in bridal lehengas and heritage-style sarees.Best Saree Colours →
Appliqué: A surface embellishment technique where pieces of fabric are cut into shapes and stitched onto a base fabric to create layered designs. In Indian textiles, appliqué is used in Kutch embroidery, Pipli craft from Odisha, and decorative work on dupattas and lehengas.Rajasthani Handicrafts →
Art Silk: A synthetic fabric made from polyester or rayon that imitates the look and feel of natural silk at a lower cost. Art silk sarees are widely available and offer a budget-friendly option with a silk-like sheen, though they lack the natural breathability and lustre of pure silk.Silk vs Georgette vs Chiffon →See also: ,

B

Badla: A Lucknowi embroidery technique where thin, flat strips of metallic wire are woven or stitched into fabric to create a shimmering surface. Badla work is often combined with Chikankari and Mukaish to create layered embellishment on fine cotton and georgette fabrics.Zardozi Embroidery →See also: ,
Bagru: A village near Jaipur, Rajasthan, renowned for its centuries-old tradition of hand block printing. Bagru prints are characterised by bold, earthy motifs using natural dyes — indigo, madder, and turmeric — applied with hand-carved wooden blocks.Rajasthani Handicrafts →See also: , ,
Bagru Print: A hand block printing technique originating from Bagru village near Jaipur. Artisans use hand-carved teak wood blocks dipped in natural dyes to stamp bold floral and geometric patterns onto cotton fabric. The rustic, earthy aesthetic of Bagru prints is a hallmark of Rajasthani textile heritage.Rajasthani Handicrafts →See also: , ,
Bajuband: An ornamental armlet worn on the upper arm, traditionally part of Rajputi bridal jewellery. Bajubands are typically gold with Kundan, Polki, or Meenakari work.Rajasthani Bridal Look →
Baluchari: A richly woven silk saree from Bishnupur, West Bengal, famous for its elaborate pallu depicting mythological scenes from the Ramayana and Mahabharata. Baluchari sarees feature intricate supplementary weft work and are prized collector's pieces.Traditional Wedding Sarees →See also: ,
Bandhani: Also called Bandhej, this is an ancient tie-dye technique originating in Rajasthan and Gujarat. Artisans tie thousands of tiny knots into fabric by hand before dyeing, creating patterns of small dots that form waves, circles, and floral designs. Authentic Bandhani has a distinctive raised texture from the knots.Bandhani Saree Collection →What is Bandhani? →See also: , ,
Bandhgala: A formal, closed-collar jacket also known as a Jodhpuri suit jacket. The Bandhgala features a mandarin collar that fastens at the neck (bandh = closed, gala = throat) and is worn for weddings, formal events, and as part of the Jodhpuri suit ensemble.Wedding Guest Outfits →See also: ,
Banarasi: A luxurious fabric woven in Varanasi (Banaras), Uttar Pradesh, characterised by gold and silver brocade, intricate zari work, and Mughal-inspired motifs. Banarasi silk is one of the finest weaves in India and a staple of bridal trousseaux.Styling a Banarasi Saree →See also: , , , ,
Bangle: A rigid bracelet, one of the most essential accessories in Indian fashion. Bangles are made from gold, silver, glass, lac, or metal and are worn in sets on both wrists. They hold cultural significance — glass bangles for married women, gold for auspicious occasions, and lac bangles in Rajasthani bridal traditions.Rajasthani Bridal Look →See also: , ,
Bangdi: Traditional Rajasthani bangles made from lac resin, often embellished with mirror work, stone inlay, or gold leaf. Bangdi sets are an integral part of a Rajputi bride's accessories, typically worn in vibrant colours matching the Poshak ensemble.Rajasthani Bridal Look →See also: ,
Batik: A resist-dyeing technique where hot wax is applied to fabric in patterns before dyeing. The wax prevents dye absorption in coated areas, creating distinctive crackled designs. While originating in Indonesia, Batik has a strong tradition in Indian states like West Bengal, Tamil Nadu, and Gujarat.Rajasthani Handicrafts →See also: ,
Bel: A creeping vine or floral scroll motif commonly found in Banarasi weaving and Indian embroidery. The bel pattern originated in Persian textile art and features flowing stems laden with flowers, buds, and leaves, typically running along saree borders and pallu edges.Handwoven & Artisan Sarees →See also: , ,
Belted Saree: A modern saree styling technique where a decorative belt or waistband is worn over the draped saree to cinch the waist, creating a structured, contemporary silhouette. Belted sarees have become a popular fusion styling choice for cocktail events and receptions.Saree Draping Styles →
Bengali Drape: A saree draping style from West Bengal where the pallu is draped over the left shoulder without front pleats. The fabric is wrapped around the body and the pallu is brought from the back, over the left shoulder, and often left to fall freely or pinned with a decorative brooch.Saree Draping Styles →See also: ,
Berhampuri: A traditional silk saree from Berhampur, Odisha, known for its distinctive temple borders, ikat patterns, and rich colour combinations. Berhampuri Pata sarees are woven in pure silk with contrasting borders and are popular for weddings and festivals in Eastern India.Handwoven & Artisan Sarees →
Bhagalpuri: A Tussar silk saree from Bhagalpur, Bihar — known as the 'Silk City of India.' Bhagalpuri silk has a distinctive natural golden-beige texture with a slightly rough hand-feel, making it ideal for lightweight, breathable sarees suited to warm climates.Handwoven & Artisan Sarees →See also:
Bichiya: A toe ring traditionally worn by married Hindu women, usually on the second toe of both feet. Bichhiyas are most commonly made of silver and are considered a symbol of marital status, similar to sindoor and mangalsutra.Bridal Wardrobe Essentials →See also: ,
Bidaai: The bride's farewell ceremony in a Hindu wedding, when she leaves her parents' home for her husband's. The Bidaai saree or Vidaai outfit is traditionally chosen by the bride's family and holds deep emotional significance.Wedding Wardrobe Essentials →See also: ,
Bindi: A decorative dot worn on the forehead between the eyebrows, one of the most recognisable elements of Indian fashion. Traditionally a red kumkum dot signifying married status, bindis now come in various colours, shapes, and embellished designs as fashion accessories.Bridal Wardrobe Essentials →See also: ,
Block Print: A hand-printing technique where artisans dip carved wooden blocks into dye and press them onto fabric to create repeated patterns. Block printing is one of India's oldest textile arts, with major centres in Jaipur (Bagru, Sanganer), Kutch (Ajrakh), and Andhra Pradesh (Kalamkari).Rajasthani Handicrafts →See also: , , ,
Blouse Piece: An extra length of fabric (typically 80 cm to 1 metre) attached to or included with a saree for stitching a matching blouse. Most sarees come with a blouse piece in a coordinating colour or design, though many women choose to pair sarees with contrast blouses.Blouse Design Trends →See also: ,
Bomkai: A tribal handloom saree from the Bomkai village in Ganjam district, Odisha. Bomkai sarees feature distinctive ikat-patterned borders with supplementary weft designs depicting fish, flowers, and temple motifs on a cotton or silk base.Handwoven & Artisan Sarees →See also: ,
Booti: Small, individually embroidered motifs scattered across the body of a saree or garment. Bootis can be floral, paisley, or geometric and are worked in zari, thread, or Gota Patti.Handwoven & Artisan Sarees →See also: , ,
Border: The decorative strip running along the length of a saree on both edges. Borders may feature zari, embroidery, temple motifs, or contrasting colours and play a crucial role in defining a saree's identity — from the temple borders of Kanjivaram to the Gota borders of Rajasthani sarees.Ultimate Saree Guide →See also: ,
Borla: A spherical maang tikka worn at the centre parting of the hair, a signature ornament in Rajasthani bridal jewellery. The Borla is considered auspicious and is an essential part of a Rajput bride's ensemble.Rajputi Poshak Guide →See also: , ,
Bridal Lehenga: A heavily embellished lehenga ensemble specifically designed for the wedding ceremony. Bridal lehengas feature extensive embroidery (Zardozi, Gota Patti, Dabka), rich fabrics (velvet, raw silk, tissue), and are typically in auspicious colours like red, maroon, or pink.Heritage Bridal Collection →Bridal Lehenga vs Saree →See also: , ,
Brocade: A richly patterned fabric woven on a jacquard loom with raised designs in gold, silver, or coloured threads. Brocade is the foundation of Banarasi silk sarees, where intricate floral, paisley, and jaal motifs are woven directly into the fabric using zari.Banarasi Saree Styling →See also: , ,
Butta: A larger, individual woven or embroidered motif on a saree or textile, as distinguished from the smaller booti. Buttas are typically more elaborate and spaced further apart, forming the primary decorative pattern on the body of Banarasi and other woven sarees.Handwoven & Artisan Sarees →See also: ,
Butterfly Drape: A modern saree draping style where the pallu is spread wide across the back and pinned at both shoulders, creating a wing-like or butterfly effect. This dramatic draping style is popular for photoshoots, receptions, and Indo-Western occasions.Saree Draping Styles →

C

Cambric: A closely woven, plain-weave cotton fabric known for its smooth finish and durability. Cambric cotton is widely used in Indian ethnic wear for block-printed kurtas, salwar suits, and lightweight summer sarees.Handwoven & Artisan Sarees →
Cape: A sleeveless overlay garment open at the front, used in modern Indo-Western fashion to add drama and structure to ethnic outfits. Cape-style blouses, cape lehengas, and sarees worn with embellished capes are popular contemporary choices for cocktail events and receptions.Latest Saree Trends →
Chaandbali: Crescent moon-shaped earrings inspired by Mughal jewellery design. Chaandbalis feature a half-moon frame adorned with pearls, Kundan stones, or enamel work, and are a favourite accessory for pairing with sarees and lehengas at weddings and festive occasions.Rajasthani Bridal Look →See also: ,
Chanderi: A lightweight, sheer fabric and saree type from Chanderi town in Madhya Pradesh, woven using a blend of silk and cotton with zari borders. Chanderi sarees are prized for their gossamer transparency, glossy texture, and traditional motifs of peacocks, coins, and florals.Art of Handwoven Sarees →See also: ,
Checks: A grid pattern created by intersecting horizontal and vertical lines in weaving. Checks are a signature design element in Kota Doria sarees, South Cotton sarees, and various handloom fabrics, ranging from fine micro-checks to bold windowpane patterns.Latest Saree Trends →
Chettinad: Bold, brightly coloured cotton sarees from the Chettinad region of Tamil Nadu. Chettinad sarees are known for their striking colour combinations, wide contrasting borders, and characteristic checked or striped patterns woven on handlooms.Handwoven & Artisan Sarees →
Chiffon: A lightweight, sheer fabric with a slightly rough texture. Chiffon sarees drape beautifully and are ideal for warm weather and casual festive occasions. Available in both silk and synthetic varieties.Silk vs Georgette vs Chiffon →See also: ,
Chikankari: A delicate, white-on-white hand embroidery technique from Lucknow, Uttar Pradesh, traditionally worked on fine cotton, muslin, or georgette fabric. Chikankari uses over 30 distinct stitches (including tepchi, murri, and jaali) to create intricate floral patterns. It is one of India's most celebrated textile arts.Art of Handwoven Sarees →See also: , ,
Choker: A short, close-fitting necklace that sits snugly around the neck. In Indian bridal jewellery, chokers are typically crafted in gold with Kundan, Polki, or Meenakari work and are a key component of both Rajasthani (Aad) and South Indian (Attigai) bridal sets.Rajasthani Bridal Look →See also: ,
Choli: A fitted, short blouse worn as the upper garment with a saree or lehenga. The choli's design — neckline, sleeve length, back pattern, and embellishment — significantly influences the overall look of the outfit. Also called a blouse.Blouse Design Trends →See also: ,
Chooda: A set of red and white (or ivory) bangles traditionally worn by Punjabi brides, gifted by the maternal uncle before the wedding. The Chooda is worn for 40 days to a year after the wedding and is adorned with Kalire (hanging ornaments).Bridal Wardrobe Essentials →See also: ,
Chunri: An auspicious tie-dyed or printed fabric, usually in red or saffron, gifted during Hindu ceremonies and rituals. In Rajasthan, the Chunri is presented to the bride by the groom's family and is draped over the head during the wedding ceremony.Cultural Significance of Poshak →See also: ,
Churidar: Tight-fitting trousers that are extra-long so they gather and crinkle at the ankles, forming churis (bangles-like folds). Churidars are worn under kurtas and kameez as part of salwar suits and formal ethnic ensembles.Salwar Suit Collection →See also: ,
Coimbatore Silk: Temple silk sarees woven in Coimbatore, Tamil Nadu, known for their soft texture, vibrant colours, and traditional temple-border designs. Coimbatore silk sarees are more affordable than Kanjivaram but share a similar aesthetic, making them popular for daily wear and pujas.Silk vs Georgette vs Chiffon →See also: ,
Contrast Border: A saree border woven in a different colour than the body, creating a striking visual distinction. Contrast borders are a defining feature of many regional sarees — green borders on red Paithani, gold borders on white Kasavu, or pink borders on yellow Kota Doria.Ultimate Saree Guide →See also: ,
Coorgi Style: A distinctive saree draping style from the Kodagu (Coorg) region of Karnataka. The pallu is pleated at the back and brought over the right shoulder from behind, then pinned in front. This unique reverse draping creates a clean, elegant silhouette.Saree Draping Styles →
Cotton: A natural plant fibre and India's most widely worn fabric, prized for its breathability, comfort, and versatility. Indian cotton varieties range from fine Mul Mul and Cambric to handloom South Cotton and Khadi, each with distinct textures suited to different climates and occasions.Silk vs Georgette vs Chiffon →See also: , , ,
Crepe: A fabric with a crinkled or puckered surface texture, created by using highly twisted yarns or chemical treatment. Crepe sarees (in silk or synthetic) drape well and are popular for their elegant fall and resistance to wrinkles.Silk vs Georgette vs Chiffon →
Crop Top Lehenga: A contemporary lehenga ensemble featuring a short, cropped blouse that ends above the midriff, paired with a high-waisted flared skirt. Crop top lehengas are a popular choice for bridesmaids, sangeet ceremonies, and modern festive wear.Festive Lehengas →See also: ,
Cutwork: An embroidery technique where sections of the base fabric are carefully cut away and the edges are finished with buttonhole stitches, creating an open, lace-like pattern. Cutwork is common in saree borders and blouse designs.Latest Saree Trends →

D

Dabka: A coiled metallic wire embroidery technique where fine gold or silver wire is twisted into spring-like coils and stitched onto fabric. Dabka work creates a raised, textured surface and is often paired with Zardozi and Mukaish on bridal garments.Zardozi Embroidery Guide →See also: ,
Dabu Print: A traditional mud-resist block printing technique from Rajasthan. Artisans apply a paste of clay, gum, and lime to fabric using wooden blocks, then dye the cloth. The mud-coated areas resist the dye, creating light patterns on a dark background. Dabu prints have a distinctive earthy, organic aesthetic.Rajasthani Handicrafts →See also: , ,
Danka: A Rajasthani embellishment technique where small metal pieces (usually gold or silver) are hammered and embossed onto fabric to create shimmering, reflective surfaces. Danka work is often seen on Rajputi Poshak and bridal wear from Jaipur.Rajputi Poshak Collection →See also: ,
Designer Wear: Garments created by named or established fashion designers, typically featuring unique designs, premium fabrics, and higher-quality craftsmanship. In Indian fashion, designer sarees and lehengas are distinguished by exclusive embroidery, innovative silhouettes, and limited production runs.Best Designer Jaipur →
Dhakai: A fine muslin saree from the Dhaka weaving tradition (now primarily Bangladesh), renowned for its gossamer-light texture and intricate jamdani motifs. Dhakai sarees are among the lightest handloom textiles in the world.Handwoven & Artisan Sarees →See also: ,
Dharmavaram: A heavy bridal silk saree from Dharmavaram, Andhra Pradesh, known for its wide, richly woven zari borders and bold colour contrasts. Dharmavaram sarees are popular choices for South Indian weddings, valued for their durability and temple-inspired motifs.Wedding Sarees Guide →
Dhoti: A rectangular unstitched cloth, typically 4 to 5 metres long, wrapped around the waist and legs in various regional styles. The dhoti is traditional menswear across India, worn for ceremonies, daily wear, and religious occasions.Rajputi Poshak Significance →See also: ,
Dhoti Pants: Modern, pre-stitched trousers that mimic the draped look of a traditional dhoti. Dhoti pants are gathered at the waist and ankles with loose fabric in between, offering the aesthetic of a dhoti with the convenience of Western-style pants. Popular in Indo-Western women's fashion.Latest Saree Trends →See also: ,
Digital Print: A modern printing technique where designs are printed directly onto fabric using inkjet technology, allowing for complex, multi-coloured patterns with photographic detail. Digital printing is widely used in contemporary sarees and kurtas for its versatility and cost-effectiveness.Latest Saree Trends →See also: ,
Dobby Weave: A patterned weave created using a dobby mechanism on the loom, producing small geometric designs, dots, or textured patterns in the fabric. Dobby-woven fabrics have a subtle, self-pattern effect commonly seen in cotton sarees and dress materials.Handwoven & Artisan Sarees →
Dori: Drawstrings or ties used to fasten traditional garments. In a Rajputi Poshak, the Kanchli (blouse) is fastened with dori rather than hooks or zippers, preserving the traditional construction method.Rajasthani Handicrafts →See also: ,
Drape: The way fabric falls and hangs on the body when worn. Drape is a critical quality in saree selection — lightweight fabrics like chiffon and georgette have a soft, flowing drape, while silk and brocade have a stiffer, more structured drape. The term also refers to the act of wearing a saree.Beginner's Draping Guide →
Dual Tone: A fabric that displays two different colours depending on the angle of light, created by using one colour in the warp and a different colour in the weft during weaving. Dual-tone or shot-colour sarees are popular in South Indian silks and organza.Best Saree Colours →
Dupatta: A long scarf or stole draped over the head or shoulders, an essential component of Indian ethnic ensembles. The dupatta's styling varies by region, occasion, and garment type.Dupatta Styling Guide →Designer Dupattas →See also:

E

Embellishment: Decorative additions applied to fabric to enhance its visual appeal, including embroidery, beadwork, sequins, stones, zari, mirror work, and appliqué. The type and density of embellishment determines whether a garment is classified as light work (casual) or heavy work (bridal).Gota Patti Work Guide →See also: ,
Eri Silk: A wild silk variety from Assam, also known as 'peace silk' or Ahimsa silk because the silkworm is not killed during extraction — the moth is allowed to emerge from the cocoon before the silk is harvested. Eri silk has a woolly, warm texture and a natural creamy-white colour.Handwoven & Artisan Sarees →See also: , ,
Extra Weft: Additional decorative threads woven into fabric alongside the regular weft to create patterns, motifs, or textures. Extra weft technique is fundamental to many Indian handloom traditions, including Jamdani, Baluchari, and Banarasi sarees.Handwoven & Artisan Sarees →See also: , ,

F

Fall: A narrow strip of fabric (typically cotton or satin) stitched along the bottom inner edge of a saree to add weight, improve draping, and protect the saree fabric from wear. Getting the fall stitched is a standard step after purchasing a new saree.Beginner's Draping Guide →See also: ,
Fly Shuttle: A mechanism that allows the weaver to propel the shuttle across the loom faster using a pulling cord, increasing weaving speed significantly. The fly shuttle was a key innovation in Indian handloom weaving, enabling wider fabrics to be woven by a single weaver.Handwoven & Artisan Sarees →See also: ,

G

Gadwal: A distinctive saree from Gadwal, Telangana, famous for its unique construction — a cotton body interlocked with a silk border and pallu using a special kuttu (interlocking) technique. This dual-fabric construction makes Gadwal sarees lightweight yet richly bordered.Handwoven & Artisan Sarees →
Garara: Wide-legged, ruched trousers that flare dramatically from the knee, creating a voluminous silhouette. Gararas are a traditional Lucknowi garment and popular for wedding celebrations.Garara & Sharara Collection →See also: ,
Georgette: A sheer, crinkled fabric with a slightly dull finish that drapes well. Georgette is widely used for sarees and dupattas because of its lightweight feel and ability to hold embroidery. Pure georgette is silk-based; faux georgette uses polyester.Silk vs Georgette vs Chiffon →See also: ,
Ghagra: A heavily flared, floor-length skirt that forms the centrepiece of the Rajputi Poshak. The traditional Pyor Ghagra uses 12 to 16 metres of fabric to create its circular flare. The hem (ghera) is typically the most embellished section.Rajputi Poshak Collection →Complete Poshak Guide →See also: , , , ,
Ghagra Choli: A traditional ensemble consisting of a Ghagra (flared skirt) and Choli (fitted blouse), typically paired with an Odhni or dupatta. The Ghagra Choli is the foundation of Rajasthani women's traditional dress and the precursor to the modern lehenga.Rajputi Poshak Collection →See also: , ,
Ghera: The hemline or border of a Ghagra or lehenga. The ghera typically features the most concentrated embellishment — wide Gota borders, zari work, or embroidered panels that create a dramatic effect when the wearer moves.Ultimate Saree Guide →See also: ,
Ghoomar: The most iconic folk dance of Rajasthan, performed by women in full Poshak ensembles. The dance involves graceful spinning (ghoomna), causing the heavily flared Ghagra to spread into a magnificent circular form. Ghoomar showcases the beauty of traditional Rajasthani garments in motion.Cultural Significance of Poshak →See also: ,
Ghungroo: Small metallic bells used in Indian jewellery and dance accessories. Ghungroos are strung together on anklets (payals) to create a jingling sound with movement, and are essential equipment for classical Indian dance forms like Kathak and Bharatanatyam.Rajasthani Handicrafts →See also:
GI Tag: Geographical Indication — a government certification that identifies a product as originating from a specific region, guaranteeing its authenticity and quality. Many Indian textiles carry GI Tags, including Banarasi Silk, Kanjivaram Silk, Chanderi, Pochampally Ikat, Mysore Silk, and Muga Silk.Handwoven & Artisan Sarees →
Gota Patti: A traditional Rajasthani embroidery technique where gold or silver metallic ribbons are hand-folded and stitched onto fabric to create raised, luminous motifs — lotuses, peacocks, vines, and geometric patterns. Gota Patti is the most iconic embellishment associated with Rajputi Poshak and bridal wear from Jaipur.What is Gota Patti? →Rajputi Poshak Collection →See also: , ,
Gown: A floor-length, one-piece dress adapted into Indian fashion as an Indo-Western formal garment. Indian gowns often feature traditional embroidery, zari work, or embellishments and are popular choices for receptions, sangeet ceremonies, and cocktail events.Gown Collection →
Gujarati Drape: A saree draping style where the pallu is brought from the back, across the chest, and draped over the right shoulder from the front (seedha pallu). This front-pallu style is the traditional drape in Gujarat and parts of Rajasthan, distinct from the more common Nivi drape.Saree Draping Styles →See also: ,

H

Haath Phool: A hand ornament consisting of a ring connected by chains to a bracelet, worn on the back of the hand. Haath Phool is part of the complete Rajputi bridal jewellery set and adds an elegant finishing touch to the Poshak ensemble.Rajasthani Bridal Look →
Haldi: A pre-wedding ceremony where turmeric paste is applied to the bride and groom for its auspicious and beautifying properties. The Haldi ceremony sets the tone for festive wedding wear — yellow outfits, floral sarees, and light embroidered kurtas are traditional choices.Wedding Wardrobe Essentials →See also: ,
Hand Painting: A textile art where designs are painted freehand directly onto fabric using brushes, pens, or natural tools. Hand-painted textiles include Kalamkari from Andhra Pradesh, Madhubani-painted sarees from Bihar, and Pichwai cloths from Rajasthan.Rajasthani Handicrafts →See also: ,
Handcrafted: Made by skilled artisans using traditional hand techniques rather than machine production. Handcrafted Indian textiles — handloom sarees, hand-embroidered lehengas, block-printed fabrics — command a premium for their uniqueness, artisan skill, and cultural authenticity.Handcrafted Sarees →See also:
Handloom: A manually operated loom where the weaver controls the warp and weft threads by hand or foot pedals. Handloom textiles are distinguished from powerloom products by their slightly irregular texture, softer hand-feel, and the presence of selvedge marks. India's handloom sector is one of the largest in the world.Art of Handwoven Sarees →See also: , ,
Heavy Work: A term describing densely embellished garments with extensive embroidery, zari, stonework, and other decorative techniques covering large portions of the fabric. Heavy work garments are typically bridal or formal occasion pieces and command higher prices due to the labour involved.Trending Wedding Sarees →See also: ,

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Ikat: A resist-dyeing technique where threads are tied and dyed in patterns before being woven into fabric, creating designs with characteristic slightly blurred edges. Indian Ikat traditions include Pochampally (Telangana), Patola (Gujarat), Sambalpuri (Odisha), and Telia Rumal (Andhra Pradesh).Art of Handwoven Sarees →See also: , , ,
Ilkal: A traditional handloom saree from Ilkal town in Karnataka, distinguished by its tope-teni (joining) technique where the body and pallu are woven separately and interlocked. Ilkal sarees typically feature a cotton body with a silk pallu and border in contrasting colours.Handwoven & Artisan Sarees →See also:
Indigo: A deep blue natural dye extracted from the Indigofera plant, one of the oldest dyes used in Indian textiles. Indigo dyeing is central to Ajrakh printing, traditional Dabu work, and many handloom traditions. The colour is achieved through repeated dipping and oxidation processes.Rajasthani Handicrafts →See also: ,
Indo-Western: A fusion fashion style that blends elements of Indian and Western design — such as saree gowns, cape lehengas, dhoti pants with kurtas, or gowns with Indian embroidery. Indo-Western outfits are popular for cocktail parties, receptions, and contemporary festive occasions.Latest Saree Trends →

J

Jaal: An all-over net or lattice pattern in weaving or embroidery that covers the entire fabric surface. Jaal work is common in Banarasi weaves and organza sarees, creating a rich, textured look.Organza Sarees →See also: ,
Jacquard: A fabric with complex, woven-in patterns created on a jacquard loom, where individual warp threads are controlled to produce intricate designs. Jacquard weaving is the technology behind Banarasi brocade, damask, and other patterned Indian textiles.Handwoven & Artisan Sarees →See also: ,
Jacket Lehenga: A lehenga ensemble styled with a structured jacket or long shrug in place of or over the traditional choli. Jacket lehengas offer a regal, layered silhouette and are popular for winter weddings and contemporary bridal looks.Heritage Bridal Collection →See also: ,
Jadau: A traditional gem-setting technique from Rajasthan where precious and semi-precious stones are embedded directly into gold using lac (resin) as a binding agent, without prongs or claws. Jadau jewellery has a flat, inlaid appearance and is the foundation of Rajasthani royal jewellery traditions.Rajasthani Bridal Look →See also: , ,
Jamdani: An ultra-fine muslin weaving technique from Bengal (now primarily Bangladesh), where motifs are hand-woven directly into the fabric using supplementary weft threads, creating designs that appear to float on the sheer surface. Jamdani weaving was inscribed as a UNESCO Intangible Cultural Heritage in 2013.Art of Handwoven Sarees →See also: , ,
Jhumka: Bell-shaped or dome-shaped drop earrings, one of the most iconic and widely worn styles of Indian earrings. Jhumkas range from small everyday designs to elaborate bridal versions with Kundan, pearls, or Meenakari work, and pair beautifully with both sarees and salwar suits.Rajasthani Bridal Look →See also:
Jodhpuri Suit: A formal menswear ensemble originating from Jodhpur, Rajasthan, consisting of a Bandhgala jacket with matching trousers. The Jodhpuri suit blends Western tailoring with Indian collar design and is often worn with a pocket square and Mojari shoes for weddings and formal events.Rajasthani Handicrafts →See also: ,
Jutis: Traditional Indian leather footwear with a flat sole and curved, pointed toe, handcrafted from camel, goat, or sheep leather and embellished with embroidery, beadwork, or Zari. Also called Mojari or Jutti, they originate from Rajasthan and Punjab and are worn with ethnic outfits for both men and women.Rajasthani Handicrafts →

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Kaftan: A loose, flowing tunic-style garment with wide sleeves, adapted into Indian fashion from Middle Eastern design. Kaftan kurtas and kaftan dresses are popular as comfortable ethnic wear for festive gatherings, beach holidays, and casual occasions.Latest Saree Trends →
Kalamkari: A hand-painted or block-printed textile art from Andhra Pradesh and Telangana, depicting mythological scenes, floral patterns, and temple motifs using natural dyes. The name comes from the Persian words kalam (pen) and kari (work). Srikalahasti Kalamkari uses pen-drawing, while Machilipatnam Kalamkari uses block printing.Handwoven & Artisan Sarees →See also: , ,
Kalash Motif: A sacred pot or vessel motif representing abundance, fertility, and auspiciousness in Indian textile design. The Kalash appears in saree borders, temple-border designs, and bridal embroidery as a traditional symbol of prosperity.Wedding Sarees Guide →
Kalire: Ornamental, umbrella-shaped hanging accessories attached to a Punjabi bride's Chooda (wedding bangles). Kalire are made of gold, silver, or shell and jingle as the bride moves, traditionally believed to bring good fortune.Bridal Wardrobe Essentials →See also:
Kamarband: An ornamental waist belt or chain worn over a saree or lehenga to accentuate the waist. Kamarbands can be rigid metal belts with Kundan or jewel work, or flexible chains with dangling elements. They are both a traditional jewellery piece and a modern styling accessory.Rajasthani Bridal Look →
Kanchli: The traditional blouse of a Rajputi Poshak, cut short to end just below the bust or at the waist. The Kanchli has a deep back neckline, is fastened with dori (ties), and typically features the most concentrated embroidery in the ensemble.Rajputi Poshak Guide →See also: , , ,
Kanchi Cotton: Lightweight, crisp cotton sarees woven in Kanchipuram, Tamil Nadu — the same town famous for its silk sarees. Kanchi cotton sarees feature similar design elements (temple borders, contrast pallus) but in a breathable cotton fabric suitable for everyday and summer wear.Handwoven & Artisan Sarees →See also:
Kanjivaram: Also spelled Kanjeevaram, this is a handwoven silk saree from Kanchipuram, Tamil Nadu, renowned for its durability, lustre, and rich temple-border designs woven with pure gold zari. Kanjivaram sarees are prized bridal sarees in South India.Traditional Wedding Sarees →See also: , ,
Kanyadaan: A key Hindu wedding ritual where the bride's father ceremonially gives his daughter to the groom. The bride is typically dressed in a saree gifted by her parents for this ritual, and the outfit choice carries deep emotional and cultural significance.Rajputi Poshak Significance →See also: ,
Kantha: A traditional running-stitch embroidery technique from Bengal and Odisha, originally practised by rural women who stitched layers of old cotton sarees together to create quilts. Kantha stitching creates rippled, textured surfaces with motifs of daily life, nature, and mythology.Art of Handwoven Sarees →
Kasavu: The traditional white (or off-white) saree with a golden zari border from Kerala, worn during Onam and other festivals. Also called the Mundum Neriyathum when worn as a two-piece set, the Kasavu is an integral part of Kerala's cultural identity.Traditional Wedding Sarees →
Kashida: An intricate chain-stitch embroidery from Kashmir, worked with a hooked needle (aari) using vibrant silk threads. Kashida features flowing floral motifs — paisleys, chinar leaves, and lotus flowers — inspired by the natural beauty of the Kashmir valley.Handwoven & Artisan Sarees →See also: ,
Kasuti: A traditional geometric embroidery from Karnataka, worked in a single thread without knotting, featuring precise motifs of temple gopurams, chariots, palanquins, and floral patterns. Kasuti embroidery is typically done on Ilkal sarees using cross-stitch and running-stitch techniques.Handwoven & Artisan Sarees →See also:
Khadi: Hand-spun and hand-woven cloth that became a symbol of Indian independence through Mahatma Gandhi's Swadeshi movement. Khadi is breathable, gets softer with each wash, and is used for sarees, kurtas, and shirts. It has seen a major revival as a sustainable, artisanal fabric.Handwoven & Artisan Sarees →See also: ,
Kosa: A Tussar silk variant from Chhattisgarh and Jharkhand, produced from wild silkworms that feed on Asan and Arjun tree leaves. Kosa silk has a distinctive coppery sheen and is used for sarees with Tussar's characteristic textured feel.Handwoven & Artisan Sarees →See also: ,
Kota Doria: A lightweight, checkered-weave fabric from Kota, Rajasthan, woven with fine cotton and silk threads to create a distinctive open, airy texture with a characteristic square-pattern (khat). Kota Doria sarees are ideal for summer wear and hot climates.Handwoven & Artisan Sarees →See also:
Kundan: A jewellery-making technique that involves setting gemstones (or glass) in gold foil. Kundan work is a hallmark of Rajasthani jewellery and is often seen on bridal accessories, saree borders, and lehengas.Rajasthani Bridal Look →Bridal Collection →See also: , ,
Kurta: A collarless, straight-cut tunic worn over trousers or churidars. Kurtis (shorter versions) are popular as everyday ethnic wear and can be simple or heavily embellished for festive occasions.Designer Kurtis Collection →See also: ,
Kurta Pajama: A traditional men's ensemble consisting of a knee-length tunic (kurta) paired with loose, straight-cut trousers (pajama). The Kurta Pajama is versatile everyday ethnic wear for men, ranging from simple cotton for daily use to silk or embroidered versions for festive occasions.Designer Kurtis →See also:
Kurti: A shorter version of the kurta, typically ending at the hip, waist, or knee. Kurtis are among the most popular everyday ethnic garments for women in India, worn with leggings, jeans, palazzos, or churidars.Designer Kurtis Collection →See also:

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Lac Bangles: Traditional Rajasthani bangles made from lac (a natural resin secreted by lac insects), moulded and decorated with mirror work, stone inlay, glitter, or gold leaf. Lac bangle making is a traditional craft of Jaipur and an essential part of Rajasthani bridal accessories.Rajasthani Bridal Look →See also: ,
Leaf Motif: A botanical design element featuring stylised leaf shapes, common across Indian textiles. Specific leaf motifs include the chinar (maple-like leaf from Kashmir), pipal (sacred fig), and mango leaf — each carrying cultural symbolism in different regional weaving and embroidery traditions.Handwoven & Artisan Sarees →See also: ,
Lehenga: A three-piece ensemble consisting of a flared skirt, fitted blouse (choli), and dupatta. Lehengas are the most popular choice for Indian brides and come in various styles from heavily embroidered bridal lehengas to lighter festive versions.Heritage Bridal Collection →Festive Lehengas →See also: , ,
Lehenga Style Drape: A saree draping technique where the fabric is wrapped and tucked to resemble a lehenga, with the pleats spread around the legs rather than tucked at the front. This style gives the illusion of a skirt while using a standard saree length.Saree Draping Styles →
Leheriya: A wave-patterned tie-dye technique from Rajasthan, creating diagonal colourful stripes across the fabric. Leheriya is traditionally associated with the monsoon season and festivals like Teej. The patterns are created by rolling the fabric tightly and dyeing it in stages.Leheriya Saree Collection →Leheriya Patterns Guide →See also: ,
Light Work: A term describing garments with minimal or delicate embellishment — scattered sequins, light thread work, or simple border embroidery. Light work sarees and lehengas are suited for casual festivities, office ethnic days, and daytime functions.Light Occasion Sarees →See also:
Linen: A natural fabric woven from flax plant fibres, prized for its cool, crisp texture and breathability. Linen sarees have surged in popularity for their contemporary, understated elegance, natural texture, and suitability for warm climates. They soften beautifully with each wash.Designer Linen Sarees →
Lungi: A sarong-like garment wrapped around the waist and extending to the ankles, worn primarily by men in South India and parts of Southeast Asia. The Lungi is an unstitched rectangular cloth, typically in cotton, worn for daily comfort in hot climates.Ultimate Saree Guide →See also:

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Maang Tikka: A pendant ornament worn at the centre parting of the hair, hanging from a chain or hook attached to the hair. The Maang Tikka is one of the most essential pieces of Indian bridal jewellery and comes in styles ranging from simple single-stone designs to elaborate Kundan and Polki pieces.Rajasthani Bridal Look →See also: ,
Maggam Work: A South Indian bead and thread embroidery technique done on a wooden frame (maggam). Using an Aari needle, artisans create intricate designs with beads, sequins, zari, and stones. Maggam work is especially popular on bridal blouses, saree borders, and lehenga cholis in Andhra Pradesh and Telangana.Handwoven & Artisan Sarees →See also:
Maharashtrian Nauvari: A nine-yard saree draping style from Maharashtra where the saree is draped between the legs like a dhoti, creating a trouser-like effect. The Nauvari (nau = nine, vari = yards) is the traditional drape for Marathi women, worn for Lavani dance and religious ceremonies.Saree Draping Styles →
Maheshwari: A handwoven saree from Maheshwar, Madhya Pradesh, known for its lightweight cotton-silk blend, reversible borders, and elegant simplicity. Created under the patronage of Queen Ahilyabai Holkar in the 18th century, Maheshwari sarees feature distinctive checked and striped patterns.Handwoven & Artisan Sarees →See also:
Mangalagiri: A cotton saree from Mangalagiri, Andhra Pradesh, woven on pit looms with a distinctive Nizam border. Mangalagiri sarees are known for their lightweight, crisp texture and are typically worn for daily and semi-formal occasions.Handwoven & Artisan Sarees →
Mangalsutra: A sacred necklace tied by the groom around the bride's neck during the Hindu wedding ceremony, symbolising the marital bond. The Mangalsutra typically features black beads strung with gold and a pendant, and is worn daily as a sign of married status.Bridal Wardrobe Essentials →See also: ,
Mango Motif: A teardrop-shaped curved motif, also known as paisley, ambi, or kalka, inspired by the mango fruit. The mango motif is one of the most recognisable patterns in Indian textiles, appearing in Banarasi weaves, Kashmiri shawls, block prints, and embroidery across the subcontinent.Handwoven & Artisan Sarees →See also: , ,
Manipuri: Handloom textiles from Manipur in Northeast India, featuring distinctive tribal and geometric motifs woven in vibrant colours. Manipuri textiles include the traditional Phanek (sarong-like garment) and are known for their unique design vocabulary influenced by the region's tribal cultures.Handwoven & Artisan Sarees →
Maroon: A deep red-brown colour that is one of the most popular shades for Indian wedding and formal occasion sarees and lehengas. Maroon carries associations of luxury, depth, and traditional elegance, and is a versatile alternative to bright red for bridal wear.Colour Psychology in Bridal Wear →See also:
Mashru: A traditional satin-weave fabric from Gujarat with a silk face and cotton back, originally created so that the silk touched the outer surface while cotton sat against the skin (important for communities with religious restrictions on wearing silk directly). Mashru fabrics feature bold stripes and ikat patterns.Handwoven & Artisan Sarees →
Matka Silk: A rough-textured, handspun silk from Bengal, woven from thick, irregular yarns that give the fabric a distinctive nubby, raw appearance. Matka silk sarees have a natural, earthy aesthetic and are valued for their handloom character.Handwoven & Artisan Sarees →See also: ,
Matha Patti: A head chain that runs along the hairline from one ear to the other, with a central pendant that sits on the forehead or at the maang (parting). The Matha Patti frames the face and is a key bridal jewellery piece, often coordinated with earrings and a Maang Tikka.Rajasthani Bridal Look →See also: ,
Meenakari: The art of enamelling on metal, particularly gold jewellery. Meenakari work uses vibrant colours — red, green, blue, white — to fill engraved designs on the reverse or front of jewellery. Jaipur is the traditional centre of Meenakari craftsmanship.Rajasthani Handicrafts →See also: ,
Mehendi: A pre-wedding ceremony where intricate henna patterns are applied to the bride's hands and feet. The Mehendi function calls for festive ethnic wear — often green or yellow outfits, light lehengas, or embroidered sarees.Wedding Wardrobe Essentials →See also: ,
Mekhela Chador: A traditional two-piece draped garment worn by Assamese women, consisting of a Mekhela (cylindrical lower garment tucked around the waist) and a Chador (draped upper cloth). Mekhela Chadors are typically woven in Muga or Eri silk with distinctive Assamese motifs.Handwoven & Artisan Sarees →See also: ,
Mirror Work: An embellishment technique where small mirrors (shisha) are attached to fabric with embroidery stitches, creating a sparkling, light-reflecting surface. Mirror work is a signature craft of the Kutch and Saurashtra regions of Gujarat and is also found in Rajasthani textiles.Rajasthani Handicrafts →
Mordant Dyeing: A dyeing process where a chemical fixative (mordant) — typically alum or iron — is applied to fabric before dyeing, helping natural dyes bond permanently with the fibres. Mordant dyeing is central to traditional Indian textile arts like Kalamkari and Ajrakh.Rajasthani Handicrafts →See also: , ,
Muga: A wild silk exclusive to Assam, produced by the Antheraea assamensis silkworm. Muga silk has a natural golden-yellow sheen that intensifies with each wash, making it one of the most prized and expensive silk varieties in the world. It holds a GI Tag for Assam.Handwoven & Artisan Sarees →See also: , ,
Mukaish: A Lucknowi embroidery technique where tiny metallic pieces are flattened and pressed into fabric to create a subtle, shimmering surface. Mukaish work is lighter than Badla and is often combined with Chikankari to add a delicate metallic sheen to cotton and georgette garments.Zardozi Embroidery →See also: ,
Mul Mul: An ultra-fine, lightweight muslin cotton fabric, also known as Mulmul. Prized for its sheer, breathable quality, Mul Mul is used for summer sarees, kurtas, and dupattas. The name derives from the softness of the fabric, often described as 'like butter.'Handwoven & Artisan Sarees →See also: ,
Mumtaz Drape: A Bollywood-inspired saree draping style popularised by actress Mumtaz in the 1960s. The style features multiple front pleats fanned outward and the pallu draped in a specific way to create a glamorous, body-hugging silhouette.Saree Draping Styles →
Muslin: A finely woven, sheer cotton fabric historically produced in Bengal (Dhaka), famed for its extraordinary lightness and delicacy during the Mughal era. Dhaka muslin was so fine it was called 'woven air.' Modern muslin refers to various lightweight, plain-weave cotton fabrics.Handwoven & Artisan Sarees →See also: ,
Mysore Silk: A GI-tagged pure silk saree from Mysore, Karnataka, known for its fine texture, simple elegance, and rich zari work. Produced by the Karnataka Silk Industries Corporation, Mysore silk sarees are typically solid-coloured with a gold zari border and pallu.Silk vs Georgette vs Chiffon →See also: ,

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Nara: A drawstring used to secure the waist of a Ghagra, lehenga, or salwar. The nara allows for adjustable fitting and is a traditional alternative to hooks, buttons, or elastic.Ultimate Saree Guide →See also:
Narayanpet: A cotton saree from Narayanpet, Telangana, characterised by distinctive temple borders in contrasting colours, checks or stripes on the body, and an interlocked pallu. Narayanpet sarees are durable everyday handloom sarees popular in South India.Handwoven & Artisan Sarees →
Nath: A nose ring, often large and ornate, worn by brides across Rajasthan and many parts of India. Rajasthani naths are typically gold with Kundan stones and may be connected by a chain to the hair or ear.Rajasthani Bridal Look →See also:
Natural Dye: Colourants derived from plants, minerals, or insects — including indigo (blue), madder/alizarin (red), turmeric (yellow), pomegranate (green), and iron (black). Natural dyes are central to traditional Indian textile arts like Ajrakh, Bagru print, Kalamkari, and Dabu print.Rajasthani Handicrafts →See also: ,
Nehru Jacket: A short, tailored, mandarin-collar vest that buttons down the front, named after India's first Prime Minister Jawaharlal Nehru. The Nehru jacket is a versatile menswear piece worn over kurtas for a semi-formal ethnic look or over Western shirts for a fusion style.Wedding Guest Outfits →See also:
Net: An open-mesh fabric used for dupattas, saree overlays, lehenga layers, and embroidered garments. Net fabric provides a sheer, delicate effect and is commonly embellished with sequins, thread work, or Zardozi before being used in bridal and festive garments.Latest Saree Trends →
Nivi Drape: The most common and universally recognised saree draping style, originating from Andhra Pradesh. In the Nivi drape, the saree is tucked into the petticoat, pleated at the front, wrapped around the body, and the pallu is draped over the left shoulder. This is the standard drape worn across most of India.Beginner's Draping Guide →Saree Draping Styles →See also: , ,

O

Odhni: The long dupatta (typically 2.5 to 3 metres) that is draped over the head and pinned at the shoulder as part of a Rajputi Poshak. The Odhni is culturally integral — not merely an accessory — and its pallu (decorative end) is often the most elaborately embroidered section of the ensemble.Rajputi Poshak Collection →See also: , , ,
Ombre: A gradual colour transition from light to dark (or one colour to another) across a fabric. Ombre sarees and dupattas create a modern, artistic effect and are popular in contemporary Indian fashion, achieved through graduated dyeing techniques.Best Saree Colours 2026 →
Organza: A sheer, lightweight fabric with a crisp texture and subtle sheen. Organza sarees have become increasingly popular for their elegant drape and ability to showcase embroidery work beautifully. Pure silk organza is more expensive than polyester organza.Pure Organza Saree Collection →Organza Saree Trends →

P

Pagri: A Rajasthani turban — a long cloth wound around the head in a specific style that varies by region, caste, and occasion. The Pagri is a symbol of honour, pride, and social status in Rajasthan. Exchanging or presenting a Pagri is a mark of deep respect.Cultural Significance of Poshak →See also:
Paithani: A luxurious handwoven silk saree from Paithan, Maharashtra, famous for its exquisite peacock motifs, oblique-square border designs, and vibrant colour pallu. Paithani sarees use pure gold zari and are among Maharashtra's most treasured bridal textiles.Traditional Wedding Sarees →See also:
Palazzo: Wide-legged, flowing trousers that fall straight from the waist. Palazzo pants are a modern Indo-Western garment often paired with long kurtis or short kurtas for a contemporary ethnic look.Garara, Sharara & Palazzo Collection →See also: ,
Pallu: The loose end of a saree that is draped over the shoulder or head. The pallu is often the most decoratively woven or embroidered portion of a saree and is displayed prominently when worn.Ultimate Saree Guide →See also: ,
Pashmina: A fine cashmere wool harvested from the undercoat of Changthangi goats in the high Himalayas, known for its extraordinary softness and warmth. Pashmina shawls and stoles are luxury accessories that pair beautifully with sarees and ethnic wear during winter.Handwoven & Artisan Sarees →
Passa: A triangular or fan-shaped side headpiece worn in the hair, traditionally associated with Mughal-era jewellery. The Passa is pinned to one side of the head and often features Kundan stones, pearls, or Meenakari work. It is a popular bridal accessory for Muslim and North Indian weddings.Rajasthani Bridal Look →
Pastel: Soft, muted colour tones — light pink, powder blue, mint green, lavender, peach — that have become increasingly popular in Indian ethnic fashion. Pastel sarees and lehengas offer a contemporary, understated alternative to the traditionally bold and vibrant colour palette.Best Saree Colours 2026 →
Pathani Suit: A loose, comfortable men's ensemble consisting of a knee-length kurta with a Mandarin collar and a matching salwar (or Patiala-style bottom), originating from the Pashtun regions of Afghanistan and Pakistan. The Pathani suit is popular Indian menswear for casual and semi-formal occasions.Wedding Guest Outfits →
Patiala Salwar: Voluminous, heavily pleated trousers from Patiala, Punjab, characterised by deep folds stitched at the waist and gathered tightly at the ankles. The Patiala salwar creates a dramatic, flowing silhouette and is typically paired with a short kurti or kameez.Salwar Suit Collection →See also: ,
Patola: An exceptionally rare and prized double-ikat silk saree from Patan, Gujarat, where both the warp and weft threads are resist-dyed before weaving to create perfectly aligned geometric patterns. A single Patola saree can take six months to a year to weave and is one of the most expensive handloom textiles in India.Traditional Wedding Sarees →See also: ,
Payal: Anklets, traditionally made of silver, worn as part of Indian bridal and festive jewellery. Payals with small bells (ghungroo) are especially popular in Rajasthani bridal ensembles.Rajasthani Bridal Look →See also: ,
Peacock Motif: India's national bird rendered as a decorative design element, one of the most ubiquitous and auspicious motifs in Indian textiles. Peacock motifs appear in Paithani saree pallus, Gota Patti embroidery, Banarasi brocades, Kalamkari prints, and jewellery design across all regions.Rajasthani Handicrafts →See also: ,
Peplum: A flared ruffle or short overskirt extending from the waist of a blouse or top, creating a structured, feminine silhouette. Peplum blouses are a popular modern choice with lehengas, sarees, and sharara sets for cocktail and festive occasions.Latest Saree Trends →
Petticoat: An underskirt worn beneath a saree, into which the saree pleats are tucked. The petticoat provides structure and a base for draping. It is typically matched to the saree colour and made from cotton or satin with a drawstring waist.Ultimate Saree Guide →See also: ,
Phera: The sacred wedding rounds where the bride and groom walk around the holy fire (Agni) — typically four or seven times, depending on the regional tradition. The Phera ceremony is the most important ritual in a Hindu wedding and the bride's outfit for this moment is chosen with great care.Bridal Wardrobe Essentials →See also: ,
Phulkari: A vibrant flower embroidery technique from Punjab where colourful silk threads are stitched on the reverse side of coarse cotton fabric, so the pattern emerges on the front. Phulkari (phul = flower, kari = work) pieces range from the partially embroidered Phulkari to the fully covered Bagh, where no base fabric is visible.Art of Handwoven Sarees →
Pico: A decorative rolled-hem finish on the edges of a saree, created by tiny loops of thread. Getting pico done is a standard finishing step after purchasing a saree, preventing the edges from fraying and adding a refined, finished appearance.Ultimate Saree Guide →See also:
Pichwai: A traditional painted or printed cloth backdrop from Nathdwara, Rajasthan, originally created as temple hangings behind the idol of Shrinathji. Pichwai art features elaborate depictions of lotus flowers, cows, peacocks, and festival scenes, and has recently gained popularity as a motif in sarees and home décor.Rajasthani Handicrafts →See also:
Pit Loom: A traditional Indian handloom where the weaver sits at floor level with legs in a pit below, operating the pedals with their feet to raise and lower the warp threads. Pit looms are still used across India for weaving sarees, dhotis, and other handloom textiles.Handwoven & Artisan Sarees →See also: ,
Plain Weave: The simplest and most common weave structure, where each weft thread passes alternately over and under each warp thread. Plain weave produces a flat, even fabric and is the foundation of cotton sarees, muslin, cambric, and many handloom textiles.Handwoven & Artisan Sarees →See also: ,
Pleats: The neat folds made in the front portion of a saree before tucking them into the petticoat. The number, width, and arrangement of pleats affect the saree's overall silhouette and draping style. Typically 5 to 7 pleats are made in a standard Nivi drape.How to Drape a Saree →See also: ,
Pochampally: An ikat weave saree from Pochampally (Bhoodan Pochampally), Telangana, famous for its vibrant geometric patterns created using the resist-dyeing technique on threads before weaving. Pochampally Ikat holds a GI Tag and produces both silk and cotton sarees.Art of Handwoven Sarees →See also: , ,
Polki: Uncut, unpolished diamonds set in gold using the Kundan technique. Polki jewellery has a distinctive raw, antique quality and is traditional to Rajasthan. It is considered one of the oldest jewellery styles in India.Rajasthani Bridal Look →See also: ,
Poplin: A smooth, plain-weave cotton fabric with a slight lustrous sheen, created by using a finer warp and thicker weft. Poplin is used in Indian ethnic wear for kurtas, shirts, and lightweight salwar suits, valued for its durability and crisp appearance.Latest Saree Trends →
Poshak: The traditional three-piece ensemble of Rajput women, consisting of a Kanchli (blouse), Ghagra (flared skirt), and Odhni (drape). The Rajputi Poshak is one of India's most magnificent expressions of royal textile heritage, rooted in the Rajput courts of Rajasthan.Rajputi Poshak Collection →What is Rajputi Poshak? →Complete Buying Guide →See also: , , , ,
Powerloom: A mechanised weaving loom driven by electricity, capable of producing fabric at much higher speeds than a handloom. Powerloom sarees are more affordable but lack the subtle irregularities, softer texture, and artisan character of handloom sarees.Handwoven & Artisan Sarees →See also:
Pre-Draped Saree: A saree with pre-stitched pleats and pallu, designed to be worn like a skirt and blouse combination — eliminating the need for manual draping. Pre-draped sarees are popular for their convenience and are ideal for those new to saree wearing.Saree Draping Styles →See also: ,
Pyor: The extreme circular flare of a traditional Rajputi Ghagra, achieved by using 12 to 16 metres of fabric. When the wearer twirls, the Pyor Ghagra creates a full circular spread — one of the most visually spectacular sights in Indian fashion. Pyor Poshaks are the most regal and expensive form.Rajputi Poshak Guide →See also: , ,

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Rajputi: Pertaining to the Rajput cultural heritage of Rajasthan. In fashion, Rajputi refers to the distinctive clothing, jewellery, and aesthetic traditions of Rajput women — characterised by the Poshak ensemble, Gota Patti embroidery, Kundan jewellery, and rich colour palettes of red, maroon, and green.Rajputi Poshak Collection →Cultural Significance →See also: ,
Rakhdi: A forehead ornament worn by Rajasthani grooms as part of the wedding ensemble. The Rakhdi is a jewelled pendant that sits on the forehead, attached to the turban (Safa), and is the male counterpart to the bride's Borla.Rajasthani Bridal Look →See also: ,
Rani Haar: A long, multi-strand necklace that drapes down to the chest or waist, traditionally associated with royalty. Rani Haars are elaborate jewellery pieces featuring Kundan, Polki, pearls, or gold beads, worn by brides and for grand festive occasions.Rajasthani Bridal Look →See also: ,
Rani Pink: A deep magenta-pink colour quintessential to Indian bridal and festive fashion. Rani pink (rani = queen) is a bold, saturated shade that pairs beautifully with gold embroidery and is one of the most popular colours for lehengas, sarees, and Rajputi Poshak.Colour Psychology in Bridal Wear →See also:
Rayon: A semi-synthetic fibre made from regenerated cellulose (wood pulp), offering a silk-like drape and soft feel at a fraction of silk's cost. Rayon is widely used in affordable sarees, kurtas, and salwar suits, and takes dye well for vibrant prints.Latest Saree Trends →See also:
Ready-to-Wear: Pre-stitched garments that require no tailoring and can be worn immediately after purchase. In Indian ethnic fashion, ready-to-wear includes pre-draped sarees, stitched blouses, and kurta sets that offer convenience without sacrificing traditional aesthetics.Latest Saree Trends →See also: ,
Resham: Silk thread used in embroidery, creating smooth, lustrous designs in vibrant colours. Resham work (resham = silk) is a broad category of embroidery found across India, from Kashmiri Kashida to Lucknowi Chikankari accents.Gota Patti Work Guide →See also: ,
Resist Dyeing: A textile dyeing process where certain areas of fabric or thread are protected from absorbing dye, creating patterns through contrast. Indian resist-dyeing traditions include Bandhani (tie-resist), Leheriya (roll-resist), Ajrakh (block-resist), Dabu (mud-resist), and Ikat (thread-resist).Bandhani Tie-Dye Guide →See also: , , ,
Rudraksha Motif: A prayer-bead shaped border pattern found in traditional Indian saree weaving, particularly in South Indian temple-border sarees. The Rudraksha (sacred seed of Lord Shiva) motif appears as rounded, textured shapes along the saree border.Wedding Sarees Guide →See also:
Running Blouse: A blouse piece in the same fabric and colour as the saree, included as part of the saree package. A running blouse provides material for a matching blouse, though many women opt for contrast blouses instead.Saree Blouse Designs →See also:

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Safa: A festive or wedding turban worn by Rajasthani men, typically more elaborate and brightly coloured than the everyday Pagri. The Safa is tied in distinctive styles using long, colourful fabric and is an essential part of the groom's wedding ensemble in Rajasthan.Rajasthani Bridal Look →See also: ,
Salwar Kameez: A three-piece outfit consisting of a tunic top (kameez), trousers (salwar), and a dupatta. The salwar kameez is one of the most widely worn garments across South Asia, suitable for both everyday and formal occasions.Salwar Suit Collection →See also: ,
Sambalpuri: A handwoven ikat saree from the Sambalpur district of Odisha, created using the traditional bandha (tie-dye on thread) technique. Sambalpuri sarees feature distinctive motifs — shankha (shell), chakra (wheel), and phula (flower) — and are woven in both silk and cotton.Art of Handwoven Sarees →See also: , ,
Sanganeri Print: A delicate, fine-line floral block print from Sanganer, a suburb of Jaipur. Sanganeri prints are characterised by light-coloured backgrounds (white, cream, pastel) with intricate floral and vine patterns in soft colours, in contrast to the bolder Bagru prints.Rajasthani Handicrafts →See also: ,
Sangeet: A music and dance pre-wedding celebration where both families come together for performances and festivities. The Sangeet calls for glamorous festive outfits — heavily embellished lehengas, designer sarees, or Indo-Western gowns.Wedding Wardrobe Essentials →See also: ,
Saree: An unstitched length of fabric, typically 5 to 9 metres, draped around the body in various regional styles. The saree is India's most iconic garment and can be woven, printed, embroidered, or embellished in hundreds of different techniques. Also spelled sari.Shop All Sarees →Ultimate Saree Guide →See also: , , , ,
Saree Gown: A fusion garment designed to look like a draped saree but constructed as a one-piece gown, eliminating the need for petticoat, pleating, and manual draping. Saree gowns combine the elegance of a traditional saree silhouette with the convenience of Western wear.Saree Draping Styles →Designer Gowns →See also: ,
Satin: A fabric with a glossy, smooth surface created by a specific weave pattern (satin weave) where warp threads float over multiple weft threads. Satin sarees have a luxurious sheen and flowing drape, available in silk satin and affordable synthetic satin.Silk vs Georgette vs Chiffon →See also: ,
Satin Weave: A weave structure where warp threads float over several weft threads before interlacing, producing a smooth, lustrous surface on one side. Satin weave is used in silk sarees, Mashru fabrics, and lining materials, valued for its sheen and soft hand-feel.Handwoven & Artisan Sarees →See also: ,
Screen Print: A printing technique where ink is pressed through a fine mesh screen with a stencilled design onto fabric. Screen printing allows for multi-coloured, detailed patterns at scale and is widely used for affordable printed sarees, kurtas, and dress materials.Rajasthani Handicrafts →See also: ,
Seedha Pallu: A saree draping style where the pallu is brought from the back, across the chest, and falls straight over the right shoulder from the front. This is the traditional Gujarati draping style, in contrast to the Nivi drape where the pallu goes over the left shoulder from behind.Saree Draping Styles →See also: ,
Selvedge: The finished, self-binding edge of a woven fabric that prevents unravelling. In handloom sarees, the selvedge has a slightly uneven, handmade quality that helps distinguish genuine handloom from powerloom products.Handwoven & Artisan Sarees →See also:
Semi-Stitched: A garment that is partially stitched and requires finishing by a tailor to achieve the correct fit. Semi-stitched lehengas and salwar suits allow customisation of length, waist, and bust measurements while saving time compared to starting from unstitched fabric.Saree Blouse Designs →See also: ,
Sequin Work: Embellishment using small, flat, shiny metallic or plastic discs (sequins) stitched onto fabric to create sparkle and visual interest. Sequin work ranges from scattered accents on light-work sarees to dense, all-over coverage on party-wear and designer garments.Trending Wedding Sarees →See also: ,
Sharara: Flared trousers that are fitted at the waist and thigh, then flare out from the knee in a wide, dramatic silhouette. Shararas are traditionally associated with Lucknowi fashion and are popular for wedding celebrations.Garara & Sharara Collection →See also: ,
Sheesh Patti: A jewelled headband or chain worn across the forehead, similar to a Matha Patti but typically more structured. Sheesh Pattis are a Mughal-inspired bridal jewellery piece that frames the face elegantly.Rajasthani Bridal Look →See also: ,
Sherwani: A long, coat-like formal garment for men, typically knee-length or longer, with a fitted silhouette and embellished with embroidery, brocade, or buttons. The Sherwani is the most popular choice for Indian grooms and is worn over a kurta and churidar or pajama.Wedding Guest Outfits →See also: ,
Shibori: A Japanese resist-dyeing technique involving folding, twisting, binding, or compressing fabric before dyeing to create patterns. Shibori has been adapted in Indian textile centres in Gujarat, Rajasthan, and Delhi, producing contemporary tie-dye designs distinct from traditional Bandhani.Bandhani Tie-Dye Guide →See also: ,
Shuttle: A boat-shaped device that carries the weft thread back and forth across the warp threads during weaving. In handloom weaving, the shuttle is thrown by hand (or propelled by a fly shuttle mechanism), and the sound of the shuttle is synonymous with India's handloom traditions.Handwoven & Artisan Sarees →See also: , ,
Silk: A natural protein fibre produced by silkworms, prized for its lustre, strength, and ability to hold rich dyes. Indian silk varieties include Banarasi, Kanjivaram, Tussar, Muga, and Eri — each with distinct characteristics depending on the silkworm species and weaving region.Silk vs Georgette vs Chiffon →See also: , , ,
Sindoor: Vermilion powder applied in the hair parting of married Hindu women as a symbol of their marital status. The application of sindoor during the wedding ceremony is one of the most significant moments, and the colour red symbolises the bride's saubhagya (auspicious married state).Bridal Wardrobe Essentials →See also: , ,
Solah Shringar: The 16 traditional bridal adornments prescribed for an Indian bride, encompassing everything from bindi, sindoor, and kajal to bangles, toe rings, and the mangalsutra. Solah Shringar (solah = sixteen, shringar = adornment) represents the complete beautification of the bride from head to toe.Wedding Wardrobe Essentials →See also: , ,
South Cotton: A broad term for handloom cotton fabrics woven in South India — particularly Karnataka, Andhra Pradesh, and Tamil Nadu. South Cotton sarees are known for their crisp texture, vibrant colours, and temple-border designs, making them popular for everyday and semi-formal wear.Handwoven & Artisan Sarees →See also: ,
Stone Work: Embellishment using semi-precious stones, crystals, or glass stones stitched or glued onto fabric. Stone work adds sparkle and dimension to garments and ranges from scattered highlights to dense, all-over coverage on bridal and designer pieces.Trending Wedding Sarees →See also:

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Taffeta: A crisp, smooth fabric with a slight sheen, woven in a plain weave with a fine crosswise rib. Taffeta is used in lehenga linings, petticoats, and as a base fabric for embroidered garments, available in both silk and synthetic varieties.Latest Saree Trends →
Tanchoi: A single-warp brocade technique originally brought from China to Varanasi, characterised by a satin-like surface with woven floral patterns in the same colour as the base fabric. Tanchoi sarees have a subtle, tone-on-tone elegance that distinguishes them from other Banarasi weaves.Banarasi Saree Styling →See also: ,
Tanka: The stitching technique used to secure Gota Patti applique onto fabric. Each piece of metallic ribbon is individually tacked down with tiny stitches, which is why authentic Gota Patti work takes weeks of skilled artisan labour.What is Gota Patti? →See also: ,
Tant: A lightweight, fine cotton saree from Bengal (particularly Shantipur and Fulia), woven on traditional handlooms. Tant sarees are known for their airy texture, vibrant colours, and distinctive thin borders, making them ideal for Bengal's warm, humid climate.Handwoven & Artisan Sarees →
Tapestry Weave: A pictorial weaving technique where weft threads of different colours are worked back and forth across specific sections of the warp to create detailed designs. Tapestry weaving is used in Baluchari sarees and other narrative textiles that depict figurative scenes.Handwoven & Artisan Sarees →See also:
Tassels: Decorative hanging threads or yarn bunches attached to the edges of a saree pallu, dupatta, or lehenga. Tassels (also called kuchu or gonde) add movement and a finishing touch, and can be simple thread tassels or elaborate beaded and embroidered designs.Latest Saree Trends →
Temple Border: A saree border design featuring triangular, gopuram-shaped motifs inspired by the architecture of South Indian temples. Temple borders are a signature of Kanjivaram, Gadwal, and other South Indian silk sarees and are considered highly auspicious.Wedding Sarees Guide →See also: , ,
Temple Motif: A triangular or stepped pyramidal design element inspired by South Indian temple architecture (gopuram). Temple motifs appear in saree borders, jewellery designs, and embroidery patterns and are among the most recognisable design elements in Indian textiles.Wedding Sarees Guide →See also: ,
Tepchi: The basic running stitch in Chikankari embroidery, forming the foundation for more complex stitches. Tepchi creates a simple, dashed-line effect and is used for outlining motifs before filling them with other Chikankari stitches like murri, jaali, and phanda.Gota Patti Work Guide →See also:
Thewa: A rare jewellery craft from Pratapgarh, Rajasthan, where intricately detailed gold sheets are fused onto coloured glass to create miniature scenes of hunting, dancing, and court life. Thewa jewellery is a GI-tagged craft practised by only a few families.Rajasthani Handicrafts →
Thread Work: A broad term for embroidery done with coloured threads — silk, cotton, or metallic — stitched onto fabric to create decorative patterns. Thread work encompasses many specific techniques and is the most common form of embellishment on everyday ethnic wear.Gota Patti Work Guide →See also:
Tie-Dye: An umbrella term for resist-dyeing techniques where fabric is tied, folded, or clamped before dyeing to create patterns. Indian tie-dye traditions include Bandhani (dot patterns from tied knots), Leheriya (wave stripes from rolled fabric), and Shibori (folded patterns).Bandhani vs Leheriya →See also: , , ,
Tilla: Gold or silver wire thread used in Kashmiri embroidery, creating bold, metallic designs on shawls, phirans, and sarees. Tilla work (also called Tilla Dozi) is a signature of Kashmiri textile art and adds a rich, regal quality to garments.Zardozi Embroidery →See also: ,
Timaniya: A layered, multi-strand necklace that is part of the traditional Rajputi bridal jewellery set. The Timaniya sits below the Aad (choker) and adds a regal cascade of gold and gemstones to the bridal ensemble.Rajputi Poshak Guide →Rajputi Poshak Collection →See also: ,
Tissue: A sheer, metallic-finish fabric with a gold or silver sheen, created by weaving metallic threads into a lightweight base. Tissue sarees and dupattas have an ethereal, luminous quality and are popular for festive and wedding occasions.Latest Saree Trends →
Trellis: A lattice or grid pattern in weaving or embroidery, similar to jaal but typically with more geometric regularity. Trellis patterns create a framework within which floral or ornamental motifs are placed, commonly seen in Banarasi and brocade fabrics.Handwoven & Artisan Sarees →See also:
Trousseau: The complete collection of clothing, jewellery, accessories, and personal items assembled by a bride for her wedding and married life. In Indian weddings, the trousseau traditionally includes sarees, lehengas, salwar suits, jewellery, and shoes for various ceremonies and occasions.Bridal Shopping Checklist →Wedding Wardrobe Essentials →
Tussar: Also called Tussah, a wild silk variety produced by Antheraea silkworms. Tussar silk has a rich, textured quality with a natural gold sheen. It is lighter than Banarasi silk and popular for sarees with a handloom aesthetic.Handwoven & Artisan Sarees →See also: , , ,
Twill Weave: A weave structure where weft threads pass over multiple warp threads in a staggered pattern, creating a distinctive diagonal ribbed texture. Twill weave is used in denim, serge, and various Indian silk fabrics for its durability and draping quality.Handwoven & Artisan Sarees →See also: ,

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Unstitched: Fabric pieces sold as flat material requiring complete tailoring into a finished garment. Unstitched salwar suits, lehenga sets, and dress materials allow the buyer full control over fit, style, and measurements through custom tailoring.Saree Blouse Designs →See also: ,
Uppada: A silk saree from Uppada village in Andhra Pradesh, featuring Jamdani-style supplementary weft patterns woven into a fine silk base. Uppada sarees are known for their lightweight texture and delicate floral motifs that appear to float on the fabric surface.Handwoven & Artisan Sarees →See also:

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Velvet: A plush, soft-pile fabric with a rich, luxurious texture, used for winter bridal lehengas, Rajputi Poshak, and formal ethnic wear. Velvet holds embroidery beautifully and is a traditional choice for Zardozi, Dabka, and Gota Patti work on bridal garments.Trending Wedding Sarees →
Venkatagiri: A sheer cotton saree with fine zari work from Venkatagiri, Andhra Pradesh. Venkatagiri sarees are known for their translucent quality and delicate zari borders and buttas, woven on traditional pit looms. They are ideal for warm-weather wear.Handwoven & Artisan Sarees →
Vidaai Saree: The saree or outfit worn by the bride during the Bidaai (farewell) ceremony. Traditionally chosen by the bride's family, the Vidaai saree is often a rich silk or heavily embroidered piece in auspicious colours and carries deep emotional significance.Wedding Wardrobe Essentials →See also:
Voile: A soft, sheer, lightweight cotton fabric with a slightly crisp finish, used for summer sarees, kurtas, and dupattas. Voile drapes well and is breathable, making it an ideal fabric for hot climates.Handwoven & Artisan Sarees →

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Warp: The vertical, lengthwise threads held in tension on a loom, through which the weft (horizontal) threads are woven. In Indian textile terminology, warp threads are called tana or taana. The warp determines the length and structural strength of the woven fabric.Handwoven & Artisan Sarees →See also: ,
Weft: The horizontal, crosswise threads woven through the warp on a loom using a shuttle. In Indian weaving, the weft is called bana or baana. Extra weft threads are used in many Indian handloom traditions to create decorative motifs and patterns.Handwoven & Artisan Sarees →See also: , ,

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Zardozi: A heavy, sculpted embroidery technique using thick metallic gold and silver threads, wires, and sometimes semi-precious stones. Zardozi creates three-dimensional, heavily textured designs with a distinctly Mughal aesthetic. It is the heaviest and most labour-intensive embroidery style used on Indian garments.Zardozi Embroidery Guide →See also: , ,
Zari: Metallic thread — traditionally gold or silver wrapped around a cotton or silk core — used in weaving and embroidery. Zari work appears in Banarasi brocades, saree borders, and embellishments. Real zari uses fine gold or silver; imitation zari (tested or tested-gold zari) uses copper or polyester.Handwoven & Artisan Sarees →See also: ,

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